Or hear some of his fantastic videogame remixes (from scratch. Not like those awful 'remixes' you hear at the end of pop albums): Tickle My Wily, Pillar of Salt
Since he writes, plays, sings, records and masters everything himself and is then humble enough to offer it to the world for free, I thought he would be a perfect candidate for the Makeshift Musician's very first interview. Thankfully, he also thought this was a good idea. (Warning: small amount of profanity ahead):
MM: First off, tell me about yourself, for folks who don't know who you are. What do you do?
Star: This is how you start out?! What do I do? I coalesce the vapors of human emotion into a semi-tangible musical experience.
Not really. Mostly I am just trying to figure out where I fit into things. I spend most of my time working my day job, which is figuring out computer problems, and then I come home and spend most of my other energy on social interaction, and if I have any leftover I write a few notes or tweak a few volume envelopes on the song that I’m working on. I wouldn’t say I’m a musician. I would say that occasionally I write music. Most folks don’t really know I’m into writing music. But I doubt they’d be surprised to find out, either.
MM: How did your interest in making music start?
Star: I used to be a bit of a nerd in middle school. I was in choir and orchestra and stuff. Really into music and really into composers. So I started downloading lots of .MODs off of BBSs and then I was listening to them in Scream Tracker 3 when I realized I could change parts I didn’t like and even write stuff since I didn’t have the download credits to get new music myself. But everything I wrote was very crap (http://www.starblast.org
Anyway, music changed for me one day, when I was madly in love with a chick who later turned out to be a lesbian. I decided to record my devotion to this chick in song form. And thus my first lyric music was born (http://www.starblast.org
Anyway, showed this song to her (she never knew it was about her, I think) and she said it was “cheesy” so in a fit of emotional angst I stopped writing for a while again. A bit later a friend of mine was showing me this complicated program called Reason. I helped him figure out some basics on it, and then took the demo home to try myself. I fell in love immediately and wrote this piece of crap: (http://www.starblast.org
MM: Did you have a lot of formal training in the areas of music, composing, or recording? How did you learn these things?
Star: I’ve had formal training on a few instruments. I was in orchestra for a couple of years on string bass… had private lessons for a year on Saxophone. But most of my real training is vocal. I was in choir for 4 years in high school and competed and such. I was really into it. Composing and recording I just sort of figured out by myself. When I was starting out there weren’t much resources on the internet for learning that sort of thing. There was no such thing as web 2.0 or Wikipedia. People were using Netscape in windows 3.11. I learned both recording and composing by painful trial and error and having some really close and honest friends to keep me dispassionate. Nothing is more important than an honest opinion when you are learning. I try to be as honest as possible with folks for that very reason. If something is crap, you should say it’s crap. Don’t beat around the bush.
MM: Most people, even many great musicians, avoid composing and producing because they're intimidated by the idea and are afraid of looking or sounding bad. What gave you the confidence to write and produce and *gasp* sing? What keeps you confident?
Star: Honestly when I started out I didn’t need to be confident. My music was for me. This was again, pre-online community era where people still did art and stuff for their own personal enjoyment rather than social validation. This has largely been obsoleted by the tons and tons of online communities willing to provide “feedback” to folks. Singing I had the confidence from competition and solos in choir and whatnot. It was never really an issue. I’ve sung at weddings, in public, in front of large audiences so that part was pretty natural. Writing and production I basically tempered on the anvil of harsh self-analysis and equally harsh opinions from my friends until I made something to be proud of. However that bar keeps climbing, which makes it hard to produce anything anymore. What keeps me confident? Partly, it’s the nice feedback I get from people, my family and friends. The recognition is nice and it validates my own sense of confidence.
MM: What instruments do you play, and what is your studio setup?
Star: I suppose I technically play the piano a tad, but very terribly. However, I just added a badass Yamaha So8 Keyboard in addition to my crap no-name midi keyboard. I have two Event Studio Precision ASP8 Powered Monitors which kick all sorts of ass and were very expensive. I have a nice dual core amd 3800+ with 4 gigs of ram and a shiteload of hdd space. I have a rack setup with an ART Studio V3 preamp, an Electrix Warpfactory vocoder, a Boss RV-70 reverb, and my Motu 2408 Mk2 hardware interface. I have 3 mics: an AKG Solidtube, an AKG C3000b, and a Shure Sm58. I also have a Yamaha midi DT3Express drum interface that a friend left over here and never picked up. And a guitar and a bass lying around for no reason. All of this stuff including the rack and keyboard I bought used for around half price off craigslist, with the exception of the computer and my speakers. I also have a separate pc running gigastudio with an M-audio firewire audiophile. Pictures: Http://www.starblast.org
MM: What inspires you as a musician and composer?
Star: Chicks, mostly. After chicks, myself. I really only get into songs when I really like them. If I don’t absolutely love the song, I usually half-ass it till completion. If I love the song, I can’t stop writing it. I think you can usually tell when I start disliking a song because it’ll radically change in the middle out of nowhere. That’s my feeble attempt to create inspiration by changing things up.
MM: Any awesome techniques you would like to share?
Star: Tons! One I really like is for pop songs, mix/master at a low volume. It works wonders since your ear works with a lot of natural compression. Also, free VSTs are great! Check out ymVST! Great synth. I use it all the time. Also, for a real punchy song, double the drum with the bass in a regular pattern. With vocals, sometimes it’s good to use double mics to get different EQ curves. Also, a good way to mix multiple vocals is to go into a parametric EQ and peak a certain set of frequencies until it sounds painful and clips. Basically you find where your own voice has spikes when added to itself. Then invert the curve to eliminate the spike. Use vocoder on sources other than voice on synths for cool effects. Like instead of singing use a drum track to make a synth percussive.
Arpeggios are awesome! A great arpeggio is the 16th triplet arpeggio. Go up in thirds or on the pentatonic scale for 5 notes, then starting on the 3rd note of the original 5 notes, go up 5 more notes in either scale and repeat that pattern until you’ve filled out the measure. It sounds great. To vary up a regular, pulsing synth line, use pitchbends and play with note length. Say you’ve got an 8th note regular arpeggio, for the first iteration go the full 8th notes, second, change the 8th to 16th+16th rest with a pitchbend on the last note... It’s nice for variety instead of just varying velocity and timbre. Glissando/portamento is awesome! But use it for EMPHASIS rather than general effect. Try to vary intensity in general throughout your song, have a climax, have quiet parts. They make music much more interesting.
MM: How do you like working in different genres? Do you have a favorite genre that you like to write for?
Star: For a while, different genres were my only means of inspiration. I was so tired of my standard stuff. Most of the time I don’t really have a set genre when I set out to write stuff, and even when I do sometimes it goes in a completely different direction than I planned. Case in point: http://www.starblast.org
MM: How do you decide what to work on?
Star: I work on whatever generates the most fun for me at the time. If it’s not fun I’ll unusually do something else. Like play video games.
MM: What about remixes? What makes you choose a particular song to remix?
Star: Mostly fun factor. Also I try to remix stuff that I think will generate a lot of feedback. OCRemix for me has turned into a confidence booster. I don’t really write remixes for myself. I write them so folks will tell me I’m good. Shallow, I know. But it helps. So whenever I feel like I suck at music, I make an ocremix to make myself feel better.
MM: What advice would you give to a budding musician, or what advice really helped you when you were starting out?
Star: My advice is to get honest opinions and LISTEN to them. Even if it means you have to cry a bit. If your stuff isn’t ready for prime time, the honest person will tell you. Go work on it. You aren’t perfect, you aren’t even close especially when you first start out. Don’t listen to sycophants, listen to the critics. If you make them happy, then you are probably making pretty decent music.
MM: How has making music affected your life, and how has your life affected your music?
Star: Making music gives me stuff to talk about at parties where there aren’t any “real” musicians there who will argue with me for hours about how software will never sound as good as hardware. It lets me hate bands because I can say “I could do better” and then prove it when I get called out. My life has gotten in the way of my music and the output has slowed considerably. But I still love it. Hopefully will have more music for you to listen to soon.